I tired of dragging my girlfriend around in search of hidden messages from extraterrestrials, which were only proving to be not-very-hidden messages from a viral marketing team bent on exploiting my cell phone ownership to send me advertisements. Despite understanding the ploy, I nevertheless enjoy a good scavenger hunt, but my enjoyment of it only lasted for so many minutes before it was conquered by my depression and sadness at once again finding little mystery in the world. We walked over the grassy hills of Governor’s Island, and we found our way to other art installations, but all the real wonder seemed one reality away–as though there was another draft of the day written on some other Earth where all these offerings were less hollow in tone.

That’s when we came to the machine. It was a twelve-foot-tall octagon, made of black metal, held together at the sides with sheets of lobstered brass. The entrance was guarded by twin brunettes wearing all black. The line was short but curious. There was a frail older woman talking to the four people waiting. She held a basket of fruit on one arm, and she was extolling the virtues of a proper diet at informing the consciousness.

Might as well take a look at this thing, I thought. My girlfriend agreed, and we joined the line. When asked if we wanted any fruit, I took a green apple, and she selected a kiwi.

“Only one person at a time may enter the machine,” the old woman told us as we accepted our fruit. “Do not eat the fruit until you are inside. Once you are inside, you may begin eating. Eat at whatever pace you like, but once you finish your fruit, please exit the machine and allow the person behind you to enter.”

I wondered if I would try to drag the time out or get it over with quickly. How was it possible to know myself so poorly?

It came down to skepticism: what was this machine? What was the point of it? The first person who came out passed the rinds of an orange to one of the brunette guards, who dropped it into a paper bag by her feet. I heard her say, “Yes, we compost them.” Then the person nodded, gave a short smile, clearly approving of this whole composting thing, and left, without giving any clue as to the nature of the experience of eating a piece of fruit inside the black, octagonal tower.

The tower that the old woman had called a machine.

After several minutes of grimly tossing my apple into the air and catching, it was my turn. The door opened, a short balding man came out and courteously dropped a mango rind into the compost bag, and the brunettes waved me into the machine. I smiled, which I think was probably a very skeptical thing to do, and I went inside, expecting absolutely nothing save the modest pleasure of eating a free piece of fruit.

When the door closed behind me, it was completely black. I could see nothing. Eyes open, eyes closed–it didn’t matter.

“Hello?” I said.

There was no response.

I considered the apple.

Well, okay, then, I thought, and I took a bite.

I’m sure whoever had constructed this thing expected sensory deprivation to make the taste of that apple even more sublime, but the apple was mealy and not very good, and it was this slight rot that was, in the end, amplified by the machine. I was in oblivion, and I was eating something that was half-rotten. Had they tricked me? Had they meant to give me a terrible piece of fruit? One could only wonder at the intent of the machine.

After a few bites, I stood in the dark with the wretched apple at my side, wondering if I could go out without having eaten all that I’d been given. I reasoned it was only bad luck, after all; no one else had seemed to have a problem finishing. I was sure it was not intentional. It was just me, picking a lousy piece of fruit.

Or maybe this was all some tricky plot to get me to imagine that the Garden of Eden was really a giant black octagonal tower, and that eating a shitty piece of fruit was the only means of escape for Eve. Now, there was a thought to blow your mind: what if Eve had meant to get the hell out of that place? But she didn”t want to go alone, either, so she had to get Adam to commit the crime, too. Eat this worthless, mealy apple and we can get out of here. We can go get back on the ferry, get back to Manhattan, and watch that show you like on HBO.

At any rate, the point of the thing was obscure, the apple was horrible, and I didn’t finish it. When I’d had enough of the game, I stepped outside, threw the apple into the composting bag, and made the same blank face that everyone else had made when facing the people still waiting in line.

oceanGoing to try and write a novel with everyone else, because I’m feeling like I’ve been pretty damned lazy when it comes to writing lately. Also, I had the real pleasure to hear Rob Gerry’s Ed at Eleven (Suite from the Motion Picture) performed at the University of New Hampshire recently, and it was based off this old idea we came up with about a guy who loves breaking into places no one else would ever want to go. It got me thinking about the story again, and so I’m going to give it a try and see if I can’t flesh out some of the ideas that were in the old screenplay I wrote. And it will be nice to deal with characters who don’t live in Croats Corner for a change.

Yes, yes–I know this counts officially as procrastination. I don’t plan to give up my other novel, but I like the thought of staggering them a bit, so I always have something to edit later. And, whatever, anyway! I’m going to be writing again, so there.

The goal is 50,000 words by November 30. That’s perfect for this project, which was never going to be anything more than a novella, anyway.

Now … to get the first pages down …

Where to begin?

Daukherville Cover Art

Daukherville Cover Art

The first thing I really did was throw Daukherville aside in disgust for a few weeks. I didn’t get there–not to the point where I thought I was in the fevered hours when I wrapped it all up. I know what I want the book to be, and I know it’s not there yet. I have a lot of work left to do.

The question now is how do I begin?

I’ve started by conceiving a program called WATSON. WATSON displays the sections of my novel, tracks pertinent details and timeline events and character specifics and any other notes or to-dos I might want to assign myself. It also lets me know when my sentence structure or my sentences themselves grow redundant or cliched.

I started building WATSON while I was finishing my book, and now it seems a challenging mountain of tasks to finish writing the program and edit the stupid novel.

So I think what I will do first is to focus on parsing the novel into the program and logging each scene’s characters and basic gist and analyzing each scene for drama. This will end up working out to be a read-through of the book and a chance to note details. As I find them, I’ll enter the information into the program to make sure I’m not making mistakes about my own characters.

I’d like to have the first read-through completed within the week. Assuming the delivery date for the next draft of the novel to be Halloween, I want to have a real solid editing plan ready by next Sunday.

In the meantime, I’ve been reading a lot, which is nice. Read The Girl with the Dragon Tattoo (not great, but readable), Supervirus (written by my roommate’s coworker), but now I’m finally into something I really love, which is Katherine Dunn’s amazing book, Geek Love. I read the first third this weekend, and it’s brilliant. Even now, it’s calling to me, telling me to forget all this editing crap and get back to the world of the Binewskis.

When my girlfriend and I were on a cruise recently, I couldn’t help but think in a few odd moments here and there what it had been like the last time I was on such a boat: same company (Royal Caribbean), same cafeteria name (the Windjammer, or the Jammer or just the Jam, as we called it now in cheerfully derisive, husky voices), and even more to the point: we’d signed up for the handicap room because we thought it would be a little bigger than the standard-issue shoebox-sized staterooms on the boat. Amanda couldn’t have been expected to know how strongly I would associate hand rails in the bathroom with my ex-wife’s father Chip, who had been dying of ALS (otherwise known as Lou Gehrig’s disease) for the last six years.

I’d helped to install the bars in my ex-father-in-law’s basement when the first of his muscles started to deteriorate. When he stopped being able to use them, I even helped him onto the toilet myself–dutiful son-in-law that I was. Chip’s illness worked its way up his body, where it would then take its time eating away at his lung capacity until he could no longer breathe. How long this would take was anyone’s guess, but in the three years that I was a witness to it, I saw him go from silver-haired, gangly patriarch ambling around a cruise boat to a man with less than twenty percent lung capacity in a motorized wheelchair that could go up stairs as well as rise up on two wheels to put him eye-level with someone standing in front of him. It was disconcerting to watch at first, but even so, such a wondrous advance in wheelchairs gave us all a false sense of hope in the advances of modern medicine. If a wheelchair could do that, what could drugs do?

Before getting divorced from his daughter, I started playing chess with him online. I thought it would be nice to play chess (he was a smart man), and it could give him something to do while he rolled around in the chair. After the divorce, I didn’t know how to stop (my ex and I parted on decent terms, even if we’ve long since ceased communicating for the benefit of everyone involved), so I continued to play. I was afraid that if I did stop playing, he would die. When I was on the cruise, I was nervous because I didn’t have any internet access at all, and that meant seven or more days without making a move. I told myself I was being ridiculous and that it was a foolish superstition.

I came back from the cruise, and he was still playing. He asked me how it was, and I told him it was fine. I felt a little guilty, since the reason I’d gone on my first cruise was because he’d wanted to take the family. He’d known then that he had ALS, and he wanted to travel as much as possible before it ate him up. Now I had returned from a second cruise with someone who was not his daughter, and he was in a wheelchair unable to walk out his own front door.

Not to mention that cruises, in general, make me feel guilty and spoiled.

We played for another week, and I started to lose. He made some great moves, and soon he had a bishop’s advantage on me and pawns within easy range of promotion. I was going down; there was little I could do. I usually won our chess games, but he had this one in his pocket. He brought his king around to back up his bishop. With nothing but my kings and a few pawns left, I moved my king to start an assault that would prove fruitless. I waited for him to advance his pawns on the other side of the board and promote one of them to a queen and finish me off.

Except three days later, I was still waiting for his next move. We generally moved four or five times a day. It was a telling silence. When I did a Google search and found his obituary, I was not surprised.

He was 64 years old. His last move was King to E1. Above is a screenshot of the actual board as it was left. A part of me wants the resolution of a finished game, but no–this is how things really are. There is no better, more perfect depiction of death than that of a game left unfinished, the mind that made the moves as coherent as ever within the body that turned against it.

Still, I think it’s clear: this one gets called for him by any objective judge.

Chip, congratulations; you win this one. Well played. Good game. Rest in peace.

Daukherville Cover Art

Daukherville Cover Art

That’s all. What more is there to say? It’s approx. 170,000 words, which is probably a bit long. It probably needs a lot of additional work, editing, rewriting, and paring down. This is actually probably only the halfway point. But you know what?

I haven’t finished a book since 1996. Not even in draft form, which, let’s be serious, is all I ever write anyway. The book is done. I could pass out copies, and people could read it and get a complete story–beginning, middle, and end.

And I know it’s late, and I’ve just been balling my eyes out as I typed, but sweet baby jeebus, I think this one’s good.

I think it’s really good.

I am so close now. One more night should do it. I have returned from the woods, where I wrote fifty typed pages over five nights. It was a fantastic recalibration, and, like my dad said, “Even if you don’t finish, I think you’ll do good things for the book.”

Maybe so. Once I left the cabin and returned to writing on the laptop, I wrote another 25 pages before getting back to New York City. Yesterday alone, I wrote over 11,000 words.

The end approaches. The question is: is it going to be tonight?

Emu StationI have butterflies. The failure of this book would be more devastating to me than my failed marriage. A few days ago, I found the two-page screenplay treatment that started the whole thing back in the summer of 1995, complete with comments by my scriptwriting instructor (e.g., “WHAT?!? Get serious, please!”). It made me laugh so hard I cried. Amanda read it and asked me, “When did you learn to write? And when did you write this, because it sounds like you were in junior high!” I wasn’t. I was about to be a senior in high school. A few months after writing that loopy two-page story, I wrote essays that got me into Harvard. But what can I say? When it comes to writing, sometimes I’m being purposefully ridiculous. Certainly, this book started as a cosmic joke (girl moves couch and unleashes a giant emu which eats her family). But now?

Now, it actually means something to me. In the past fifteen years, it stopped being a joke to me and became a personal myth that I carry around with me everywhere I go. And this whole process has been a struggle to get it closer to that mythic status while retaining its roots in the depths of absurdity (itself an important part of the story I’m still struggling to tell).

And it’s always when I creep around this corner and step within sight of the conclusion that I lose my nerve and tell myself the draft isn’t good enough and to scrap it and start again.

But not this time. This time, Daukherville will have its ending.

I hope.

Tomorrow, I head to the woods.

Daukherville Cover Art

Daukherville Cover Art

Well, after taking something like nine or ten days off again, I thought the curse was back. You know the one: It’s where I get to this point in the story, lose all faith in it, decide I’ve written it wrong or what have you, and I scrap the whole thing and start again. Only it doesn’t really happen exactly that way–no.

The first step is always just letting it idle for too long. Freeze up. Fail to write. Fail to push myself to get through the next scene. And then eventually it sits for so long that when I return to it, I convince myself there’s no going back into it where I left it, and I decide to start writing again.

Well, here I am again–a few pages beyond the highest page count I ever managed for this book. And I was frozen. Frozen by the idea that now I have to start bringing things to a close. I’ll be heading to the Maine woods at the end of the week to shut myself in a cabin with a typewriter and a few bottles of Jameson to do battle with the end of the book in style. This week is going to be a lot about getting myself to that final sequence. This past weekend, I struggled to get started. It was a real battle to get the words moving again. There was a lot of fear and doubt. I ended up actually breaking one of my own rules, going back, and rewriting two pages just to shut some of the criticisms in my head up.

Then I had a record day yesterday. 5000+ words.

Only 39,000 projected words to go. This is the most dangerous part of the climb.

keyboard… Well, sort of done. I was really excited last night about finishing Part 3. It seemed so good in my head, so perfect … until I read it again today and realized I’d done a really skimpy job on the last few pages. Reads like a bad screenplay.

Booooooooooooo!

Sigh. It needs work, just like everything else. I’m so frustrated and scared, actually–that’s right, I said it–that I’m not good enough a writer to be in charge of this story. Someone more talented than me should have written it.

It’s raining. I put too much water in my noodles.

Emu StationI’ll admit it; I’d lost the urge to write these daily posts. I’d lost faith that anyone was reading. But you know what? It doesn’t make a difference. I’m here to write. I’m here to tell you how it’s going, and so … It’s going. I’ve been writing every day for over a week now. Probably in record-breaking territory. I’ll get back to you on that one.

I’m officially changing the date of completion of this draft to August 6, 2010. I’ll be spending that last week in a cabin in the woods, finishing my book on a typewriter, if you can believe that! The mission for the rest of July is to get everything but the last eighth of the novel done–pretty much everything but the end.

So how am I feeling about the book these days? Eh. Not great. I dunno. I’m in too deep! I don’t know if this book is any good. I’m probably the worst judge of its quality right now.

Just keep on typing, right?